“No matter where she

went in the world, Crane relentlessly reframed it, printing whole rolls of film like a giant contact sheet composed of endless repetitions of the same subject—serial, graphic, Warholian, embedded with tiny shocks that prompt deep and close looking.” Rebecca Bengal reflects on photographer Barbara Crane’s series “Private Views”, exploring interaction and connection, after a year of being in the pandemic. ssen.se/3e09ett

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“We like the idea

of images of rubbish printed on what was once rubbish and recycled into something desirable.” KNWLS, the label formerly known as Charlotte Knowles, collaborated with photographer Harley Weir to produce upcycled garments inspired by the unexpected charm of waste, available exclusively at

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